WORKS
Plum Tree No.1
Size: 162.2x112,1cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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The Dark - red Maehwa
Size: 112.1x387.8cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Tongdo-sa Plum No.1
Size: 112,1x162.2cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Plum Tree No.2
Size: 116.8x72.7cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Tongdo-sa Plum No.2
Size: 53 x 72.7cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Tongdo-sa Plum No.3
Size: 53x72.7cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Plum Tree No.3
Size: 112.1x162.2cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Plum Tree No.4
Size: 53x72.7cm
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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Apple blossoms
Medium: Oil on linen
Artist: Kim Chang Han
Country: Korea
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photo
video
ARTIST STATEMENT
My consistent interest in art making is to pursue pure and healthy images of humanity and nature: The everyday lives of people, and the purity of nature which overflows with the force of life.
I think that nature is not merely a subject to be seen aesthetically but an intermediary which helps me to perceive reality truly and to improve it. I dream of people elated by the harmony between the ideal and the real.
I also think the pleasure of art making is very important. I like to draw and paint about natural phenomena such as dragonflies, fruit farms, flowers, falling leaves, and the ever-changing earth. I also like to illustrate fragments of daily life on my canvases.
When I see the flying of the dragonfly, I sense philosophical meaning and feel a selflessness.
I am infused with strong energy from the fresh fruit farms colored with deep green which sometimes looks like the east sea and sometimes looks like a black iron plate. The apples pulse with a red so much like blood that I almost expect them to burst, splashing me with the stuff of life.
I think visual rhythm and taste are most important.
Visual rhythm flows from the movements of brush and knife. The force of life emerges from the visual rhythm. In this regard, there's no division in technique between abstract images and the figurative images.
I also have much concern about the deliberate or accidental effects arising from the specific character of painting materials. Materials are potent ingredients in the stew of a painting
Oils and watercolors are my preferred materials. Recently, I have been using acrylic paint and other mixed media, but I find oils to be of superior clarity, transparency, adhesiveness, texture and versatility of shade and hue.
I am conscious of the ways in which the subjects of my art fit with my constitution and with a perhaps particularly Korean emotional sensibility.
I try to stick to experiences from my real life and times, striving to locate my identity relative to my heritage and a positive vision of the future. I bring to this endeavor a heartfelt appreciation for mysterious nature overflowing with the force of life, and a conception of life as essentially beautiful and pure.
